I've also produced artwork for various publishers around the world including Scholastic, Time-Warner, HarperCollins and Oxford University Press, illustrating popular authors such as Anne McCaffrey, Raymond E. Feist and Harry Turtledove, as well as some classics including Dr Jekyll & Mr Hyde and The Silver Sword. I was fortunate enough to receive the British Fantasy Award for Best Artist.
I illustrated the book accompanying the album release of Misterstourworm & the Kelpie's Gift, an orchestral work based on stories and characters from Scottish legend. My artwork was used as large-scale backdrops for live performances of the work by The Orchestra of Scottish Opera, with narration by Lord of the Rings actor Billy Boyd.
As an author, I've written some books about digital art including Digital Fantasy Painting Workshop and Digital Horror Art, and edited Fantasy Art Now published by Collins. In addition to work in publishing, I occasionally do concept and production art for computer games (following two years as an in-house artist at Eidos Interactive), and film and television productions which have included the BAFTA-nominated The Magician of Samarkand for the BBC, and most recently Gulliver's Travels for 20th Century Fox.
Currently: October 2015: My latest picture book The Crocodolly was published in hardback by Scholastic last month, and is available in Australia, New Zealand, and soon to be released throughout Asia in English, also with a translation into Chinese. The Crocodolly is something of a companion to my earlier picture book The Octopuppy which has been doing pretty well internationally -- more info at www.theoctopuppy.com Right now I'm working on my next picture book; so most of my energies have been directed towards my books for children. But I've also just finished another album cover for Axel Rudi Pell, which is the fifth sleeve I've done for his records. I've also been doing a little bit of work on the Game of Thrones computer game.
Ancient Images #3
Another drawing from long ago, this was something I did for my own amusement when I was about fifteen or sixteen. It's based on a still from the lost 1927 Lon Chaney / Todd Browning film, London After Midnight. I did a few pictures based on images from the film; seemingly I was quite enamoured with it for a time. This was done on cartridge paper with hatching and stippling using Rapidograph pens, my tool of choice during those early years. For all its fussy textural detail it's pretty large (16 x 11 in). The convex distortion and lack of clarity are due to this being a snapshot of the original, which is sealed behind glass in its frame - blowed if I'm getting it out. A Horrible Hallowe'en to everyone!